Tuesday, 5 December 2023

Meet We Three

 We three had an online meeting today for a little more than an hour. Among many many things we discussed the following things.

  1. We talked about the play we wrote in the last class. In that class we COLLABORATED to create a STORY based on our viewing of an old advertisement about a drinking water company called "Bisleri". It is a product more popular in the Indian market and yet the creators made an interesting choice when deciding Characters and Setting. In our 1st December class we built on the story offered in "Bisleri" advertisement and collaborated to make a FULL fledged play. In the end we all had our own plays. Mehnab and Udita missed the major part of the class and so I talked to Mehnab to explain the whole process, which was also explained by Rifat. 
  2. We talked about a short film titled The Miniaturist of Junagarh" (2021) with Nasiruddin Shah in the lead role of a miniaturist painter. When Mehnab told us how she always wanted to write a film script, I jumped to her suggestion and told her that we can easily shift our Play-script of "The Happy Isle" into a film script. Mehnab agreed to this and hopefully, when she is done with her Play-script, we can work on it to make it a Film-script. 
  3. At one point we discussed how a particular setting or place association can influence a writer to write a story and give it a shape of a Play. We then accessed a dozen pictures of Old Dhaka palace "Ruplal House" and instantly made a story based on its character and the people who might be found on a lazy evening. 
  4. One major aspect of our discussion was that we decided that we shall need more INTENSE collaboration during the time of Final Play Project. We planned that we can have two WHOLE-day session starting from 8 am and lasting till lunchtime with lot of refreshments to accompany us. On these two days we can divide our class population into two groups and work on-site to develop our individual PORTFOLIO materials. 
  5. I have also promised Rifat and Mehnab to share a short story we (I and a creative writing student) created a few years ago based on our perception of Old Dhaka and its people.  

Friday, 24 November 2023

Fieldwork Presentations

 We had a great day today as everyone made their Fieldwork presentation before the class. Only Rifat Islam Chowdhury was unable to attend. Description of the presentations: 

Sumaiya S. Udita gave the first presentation. Her visit was made to the BSMMU Outdoor area where she observed the physical environment, the nature of interactions between the staff and patients, the mental and physical state of some of the patients, the complaints the patients were making and the overall mood and environment of the BSMMU, the largest specialised hospital in our country. However, her presentation did not include any picture or video and so it lacked color and vibrancy of an ethnographic study. Udita has been asked to re-edit her presentation and bring it for coming Friday.  

The second presentation was made by Meleching Marma. For her fieldwork study, she chose an area in Mirpur which is a popular public thoroughfare. Her presentation was full of ideas, pictures and explanations of the characters that she was able to capture in her mobile device. Meleching's presentation was made more interesting as she provided realistic conversation and then complemented these discussion between the street characters with her own imagination. Her presentation was attractive and colorful. In the final part, Meleching explained how she is going to use her fieldwork study to make more observation and include these observations in her Final Playwriting Project. 

Kashfia Nahreen's presentation was based on her fieldwork visit to a market called "Bongobazar" near the Basundhara R/A. As the name suggests, it is a place of all sorts of clothes, jewelries, household items and everyday materials. It is a place frequented by mainly middle-income and lower-middle income group people. Through her observations, her photographs, and short videos, she presented a very colorful and lively community place where people come and interact as businesspeople, as consumers and also as visitors. Kashfia's presentation was full of very attractive descriptive elements as she also tried to analyse the people she met there. As she made multiple visits, her understanding of the place and its hidden secrets came out well through her descriptions. 

Mehnab Arin Khan was the next presenter. Her area of observation was limited. She was only able to interact with one person near her house. The person, a woman street-vendor, gave a brief picture of her living circumstances. However, Mehnab's presentation was too short and did not include details of the chosen character. The audience were asked to come up with suggestions that could make Mehnab's presentation more attractive and those suggestions were written down by her. She has been asked to make her presentation again on the next class. 

The fifth presentation was based on Janefer Alam's visit to Bangladesh Shilpakala Academy. There she took a few photos of street vendors, mobile egg sellers, tea-stall owners etc. Her observations were fine. However, she did not explore much into the imagined life behind the apparent presence of the characters she attempted to portray. Janefer was asked to re-submit her presentation in the next class. (Added on 12 December: Janefer Alam submitted a full presentation based on her Field Work experience. This presentation was much improved in terms of content and style. She will definitely be able to use her fieldwork experience in writing her final plays.)

The final presentation was made by Tauhidur Rahman. This presentation had a few catches that made the audience attracted. Since we did not define whether any additional materials could be used for presentation, it was probably right that Tauhidur used a 4 minute short-film to introduce his location of field study. For his visit, he chose the Lalbagh Killa and its adjacent areas. He identified some of the linguistic uniqueness in the dialect of the residents of the place. Since Tauhidur himself a permanent resident of the locality, he was able to identify the special characters of the places that we generally associate with Old Dhaka, which we endearingly call "Puran Dhaka." Tauhidur singled out only three or four dialogues and showed how these are going to be used in his own playwriting works. Tauhidur showed how his sense of observation has improved my engaging his sensory organs to perceive the places he visited.  

Thursday, 23 November 2023

The Plays we Worked on (Eight Weeks)

  1. Post Office (Bengali)
  2. Can't Pay, Won't Pay (Italian)
  3. Legends of Youth (Vietnamese) 
  4. The Measures Taken (German) 
"Post Office" was used for a project presentation which required writers to read the text in part in class, watch in performance, discuss the dramatic moments, analyse the dramatic technique - all leading to a final presentation and submission of the project in printed format. We discussed how this play became the mouthpiece of occupied France on the eve of German march into the streets of Paris. We used an English Translation of the play for our project work and discussion. 

"Can't Pay Won't Pay" was used for discussing how comedy can turn into a satire, revealing the incongruencies of a class-conscious society. 




Friday, 17 November 2023

The Legend of Youth - Analysis from Writers' POV

Task: Write your views on storytelling, characterisation, plot, theme, connection between different parts, and the relevance and interpretation of the play. Explain how this play is relevant to present day world politics in the context of War and Occupation. Also tell us how this text will help them in their final Playwriting project. While writing your interpretation, discuss following issues: Set, Light, Costume, and Make-up, Props, Sound, Music, and Location.

Interpreting “Legend of youth” || 532 words || by Mehnab Arin Khan (ID - 213055031)

The storytelling seemed like done by a whisper which is anonymous. The whispers told us the story of war taking place at a war zone in Vietnam. The place was attacked many times by the Americans soldiers by bombardments and fires. This story shows the bloodshed, sacrifices of ten female’s heroic martyrs on the battlefield of Dong Loc, to liberate the homeland and unify the country. The words and the writing were offered to their sacred souls of these ten martyred females. This play has shown different places in Vietnam which were attacked by the Americans. We observed that the play has been divided into nine scenes. These scenes or episodes show the cruelty of the war zone and how the   fighters are ready to sacrifice their souls to save their land.

The first scene describes the surroundings in Dong Loc where it is twilight afternoon. At this hour, the hazy smoke filled air, the Charred and withered tree trunks, the surface of the road marked by bombs and bullets are seen. The faint silhouette of military trucks and bunkers stand huddled together. The leader calls upon the female volunteers to stand on the training ground for checking. The girls are required conceal their chest. One of the fighter learned a song called Hirl who open the road to put in the group energy, good vibes, and a spirit to strenthen themselves. After adjusting their cloths to tighten their intimate parts of the bodies they stand in a straight line. The leader calls their names for attendance. They are finally assigned to do the work like fixing the road. The leader points out that the practice of teasing and joking around should be prohibited as the practice creates emotional attachment for the male soldiers. They are allowed to share each other’s sorrows but not to joke around rather to understand and feel each other’s struggle.

The instructions were given so that they are prepared in the battlefield. The play shows that the fighters of Vietnam diggs9 deeper holes on the road and they see the flesh and blood of other comrades due to bombing by the enemies. But they did not cry rather made deeper holes. The scenes also show us the happy times before the battlefield and how the female fighters were working in the field growing vegetables, fishing, cleaning the shovel and singing. This picture is just an illusion of what it looked like this 55 years ago before it turned into a death zone by the Americans who bombed 1863 times 50,000 bombs to make the Dong Loc a death zone.

In current times, there are wars in several parts of the world which also resonate with the scenes of battlefield of Dong Loc Junktion. This bombings, sufferings, bloodshed and screams of the citizens. This story is really a different kind, told by the whisper to show us the picture of a war zone using these characters who are real and fought for their country and died to protect the country. The whole description will enable us to write or create a story to reveal the condition of humans.

Against Darkness: An interpretation of “Legend of Youth” || 465 Words || by Rifat Islam Chowdhury (ID: 2302055013)

Amidst the darkness, the audience gets a warm welcoming by the Whispers; who intricately and with sensitivity provides the audience about the initial setting and the situation that the play is based on. It's the Vietnam War that the characters are in and we get to know that the Captain of Platoon4-C552, Vo Thi Tan is the oldest one being only in his mid 20's. Merely 24 years of age. And surprisingly the youngest volunteer, Vo Thi Ha being only 17 years old. The aging criteria of the 10 characters gives us an idea of the desperation a war brings on human psyche. The lacking and innocent mistakes by multiple characters in scene 1 can be seen fulfilled and corrected in scene8 completing a full circle of accomplishment. Which makes us in synced with the journey and the experience of each of the characters went through out the play. We sense a tendency of unity amongst the girls. In scene2 after multiple bombings Nho was unable to face the harsh and crude reality of the war. In spite of being in a frenzy shocked state Nho reports that she is not scared...she is not scared. Flesh...bones… splattered everywhere yet she is not scared. The girls rushes to Nho to be beside her. To give her courage and to let her feel that she is not alone in this war. We see Hoi hugging Nho as if she is protecting a seed she planted. Gradually the play organically grows and moves further and we see the entire platoon fighting for rubber buckets and who should take the bath first. And then again during the end of scene3 we see the whole squad carrying bags of soil, house doors, and wooden bars putting them on the road to protect the truck. Not a single dimension or angle of a war can ever bring justice to the devastating destruction of the aftermath. The reason behind every war always stays in a gray area resembling the glorious and larger than life "reason" behind every war. But it is the sacrifice that only the people make. It might be the Left it might be the Right who wins. We forget to see the full picture and we fail to agree that we always lose to humanity when it comes to war. This is what the play by Duong is for me. The set will change according to the scenes. During the bombing scene there will be sounds of explosions. An intense music can be added to portray the importance of the moment. The costumes as well will change when it is needed for the characters. Make up... props and location will be followed according to the need of the play.

Structure and Content in "Legend of Youth" || 784 Words || by Sumaiya Swati Udita (ID: 233055020)

In today's class, we have read Legend of Youth: Live A Worthy Life, which is a nine-scene stage play written by the Vietnamese Script Writer-Director, Le Quy Duong. Set in the year 1968, the play pays tribute to the 10 female volunteers of the Vietnam-US War, all of whom sacrifice their lives.

The story is set at the Dong Loc Junction battlefield, where the ten volunteers of the entire Platoon 4 C- 552 became martyrs during the Vietnam War. The volunteers would be divided according to the ranks of Platoon leaders, Deputy Platoon Leaders, and Volunteers. 9 people shared 3 tents, while the Platoon Leader, Vo Thi Tan, had a separate tent for herself. As a leader, Vo Thi Tan would give feedback on the tasks she delegated between the other nine people, and gave feedback on each of their works, including herself. The ten people together would clear the Junction, each time after the US Air Force would drop a bomb, for the convenience of the "trucks" that supplied them with food and war ammunition. All of them were engaged in this task even on the day the US Air Force dropped the bombs on the junction most aggressively, thus costing the lives of the entire Platoon.

Le Quy Duong follows an interesting method of character development in this stage play. He uses an anonymous narrator's "whispers" which speaks at the beginning of each scene. The "whisper" uses a nationalistic, yet skeptical tone, which must have been triggered from views of the current generation who hold a varying, almost an indifferent attitude towards this war. For this reason, the "whisper" witfully scorns at the ones by continually asking this question in various ways and languages throughout the play, "If you were unfortunately born and raised in a war-torn country, ravaged by bombs and conflict! Can you imagine it?" At the end of the play, the "Whispers" introduces itself to us readers/audience that he is just an ordinary citizen, who has witnessed the days of the war, as their generation "was born in 1968". We get introduced to the members of the Platoon, when the Platoon Leader names calls all the volunteers in Scene 1. We also get to know about the flaws of each character in this scene, after the Platoon Leader gives her feedback not only to the other nine volunteers, but also comments on herself. In Scene three through the dialogues, we get to know about the weak points and weaknesses of each character. In scene 4, we get to realize that, through the setup of the stage, we are just having an "illusion" of a time when the volunteers were alive. Between scene five and nine, we are continuously introduced to the significant others of each volunteer and how they feel for their lovers, despite of an ongoing war. We also get to encounter various other human emotions that the volunteers concealed initially. The determined attitude of the volunteers works as a motif throughout the play.

To comment on the setting of the play, it can be understood that it is a stage play, meant to be performed live in a theatre. Le Quy Duong also has mentioned that it has been performed at Vietnamese Women's Museum. Le Quy Duong specifically provided his directions in his play, including regarding the lighting of each scene. The play makes use of a flute, which metaphorically gives us a character's identity through the variation of its sound. The consistency of the flute's sound signifies the shift between the original player and its unaccustomed players. The sounds and props used in this play help in foreshadowing of the events that follow. The sound of the flute signifies Vietnam's achievement of the victory, which came at the cost of the lives of both the male and the female soldiers. To comment on the props, Le Quy Duong puts attention in the clothes of the soldiers, as well as on other elements, namely food and water, to symbolise the fact that wars can judge fittest human for survival at times. In scene 9, the letters, as a prop, gives the details of the other props, which are the items, used by the 10 volunteers, during their lifetimes, thus signifying the legacy they left behind. To comment on the location, the number of US bombs Dong Loc Junction has endured makes it a legendary war location.

Through the rising action, climax, and the falling action in scene 2 and scene 6, Le Quy Duong shows how love can be found through empathetic attitude even during wars, and how biases can create more wars within a team, in the middle of an ongoing war.

“Legend of Youth”: A Structural Analysis || 879 Words || (SM Tauhidur Rahman ID- 232055017)

The play Legend of Youth is a story of 10 young brave girls who worked at a junction in the middle of a war. Although they worked in between bullets and explosions, they remained determined and high spirited, eventually sacrificing their lives to the great cause.

The play from the get go constructs a brilliant imagery through its writing alone that helps a reader visualise how the opening set and setting out be like. From a story telling point of view the progression of the imagery, especially in the opening descriptions of many scenes, the detailed description that build the atmosphere is profound. The storytelling from the start wastes no time in establishing anything. The audience is made part of the situation immediately and introduced to the group young women who are at the centre of the play. The storytelling progresses in such a way that by the time we reach the last scene, we have an emotional bond, a connection with them, not individually but as a whole. Throughout the story most of the characters had individual traits and plots however the feeling that the progression of the story generates is not individualistic rather interconnected. As an audience, we all know how the play is going to conclude and that a tragedy awaits but we cannot help ourselves but connect with the performers on stage due to the strategic storytelling.

It was a very effective move to not let the focus be on individual characters. The characterisation for such a story requires a balance because these real life characters made the biggest sacrifice and hence deserve equal treatment. The playwright here quite skilfully structured every incident of action in this play in such a way that the involvement of all the characters or at least a hand full of characters is required. However, it would be wrong to state the fact that the characters were not individually developed at all. All the characters had their individual impacts through instances in multiple scenes that helped develop their characters. The blend of playfulness as well as seriousness is what makes the audience connect further with them as a group and as individuals. That characters have their differences, personal characteristics, insecurities, growth and spirit and all of these things combined is what makes every scene with every character impactful. Although the plot is a very serious and eventful tragic one, something we are reminded by the whisper narration a few times, we don’t disconnect with the characters for being playful, immature and vibrant because the girls were young, between 18-24 and it was quite evident. However, it was well portrayed that although they were young ladies with hearts of such, they were 100% dedicated to their cause and duties.

The theme of the play is quite interesting because we as the audience go in knowing that this is a play where the visuals would have 10 young girls torn in between a war-like setting however that mostly acts as the shell of the entire theme. Many themes are explored inside this shell that is not only tragic. There is a theme of unity and communal belonging where 10 young girls have made a world for themselves out of nothing. The story explores theses of honour courage and sacrifice that too form individuals who would have had their entire lives in front of them. The characters were designed to be relative, a young girl no different than a friend we know or a member of our family. However, the theme of their cause and effort is what underlines the entire plot. From their introductions to their final messages, there was growth but there was no change in the spark of their eyes. They lived like a group of young woman would, but their determination remained intact and that was the most important and recurring theme of the story. The multiple scenes and parts of the play interconnect very well because it helps develop the characters and their bond with the audience. As an interpretation of the whole story, I believe that the playwright was bold enough to follow a very real route till the end. The playwright was not afraid to showcase humour or very light hearted moments amidst the on going chaos. Although it was a group young girls in between a war, they had their cheerful moments, conflicts, insecurities and friendships, all keeping their intentions and goals intact.

In today’s context, it could be highlighted that this story can reflect upon the daily life and how life goes on in Palestine. It is not a regular situation for us living in the middle of explosions and gunshots however that is the horrific everyday situation is what the 10 girls from the story live and so do the numerous people in Palestine. We can draw a parallel however we can never properly empathise what these lives go through. 

The playwright has selected a very relative language and tone that makes it easy yet impactful for an audience and I personally have learned from this play, how simple plot points can gather to leave an effective impression on an audience. Furthermore, this would help me shape and structure my own play better because I can draw inspiration from this style of writing.

Thematic elements and dramatic structure in “Legend of Youth” || 382 Words || Janefer Alam Oney (Id: 23205502)

Legends of youth is a play from Vietnam and its themes surround the bravery of ten young women who gave up their lives. The play was written and directed by Le Quy Duong.

The storytelling was done by a whispers. He was telling about the war of Vietnam. Vietnam was attracted by American soldiers. The whisper narrates the sacrifices of ten female volunteers who gave up their lives to complete the duty trusted on them. This story happened at the Dong Loc Junction battlefield in 1968 on the 15A arterial road. There 10 female volunteers lived, fought for their country, studied to gather knowledge, worked in production and they heroically sacrificed their lives in the mission to clear the road for trucks carrying weapons and food from the north to the southern battlefield in the resistance war against the US to save their own country. This play portraits the conflict between two county Vietnam and American. The volunteers were categorized based on their ranks as Platoon leaders, Deputy Platoon Leaders, and regular Volunteers. Within the group, nine individuals shared three tents, while the Platoon Leader, Vo Thi Tan, had a tent to herself. Vo Thi Tan, as a leader, provided feedback on delegated tasks among the nine, evaluating each person’s performance, including her own.

“Legends of Youth” draws parallels to present-day world politics, specifically in the context of war and occupation, it may offer a lens through which to explore the human consequences of such geopolitical events. The relevance could lie in shedding light on the impact on individuals, families, and societies, fostering a deeper understanding of the human experience amidst conflict. In the context of war and occupation, the play serve as a mirror to present-day world politics. By exploring the consequences and complexities of conflict, it prompts reflection on the ethical and human dimensions of war. This relevance allows the audience to draw parallels with current geopolitical situations, fostering a deeper understanding of global issues. For a final Playwriting project, studying this text offers insights into crafting intricate characters, developing a plot, and addressing relevant themes.

It encourages writers to consider the societal and political relevance of their work, challenging them to create narratives that resonate beyond the stage, fostering dialogues on pressing issues like war in the contemporary world.

The Dramatic Structure and Themes in "The Legend of Youth" || 604 Words || Kashfia Nahreen

The play The Legend of Youth depicts the true story of 10 brave young girls who dedicated their lives to their country. They played a vital role in helping the Vietnamese soldiers defend their nation against the attack by America. The storytelling of the play was interesting, drawing in the audience from the start. The way the Whispers narrated the story was engaging, allowing the audience to understand the context and timeline of the setting.  The play portrayed the brutal reality of war and the destruction it leaves in its wake. The play skilfully portrayed the relationship between the characters and their commitment to their country through the dialogues between the characters. The first scene illustrates the relationship dynamics among the characters and their cooperation.  Throughout the play we see moments of connection between the platoon members, we see camaraderie, we see support, all which makes these characters come alive. 

The dialogues also characterise the distinct personalities of the young women. One of them loved to garden, one of them was clumsy, one of them was embarrassed about a scar on their back. These small details humanised the characters and elicited empathy from the audience. The team leader, Vo Thi Tan, among others wishing to be reunited with her finance after the war made the audience empathise with her situation. The cruelty of war was vividly displayed during the scene where the members of Platoon C-552 were clearing the roads after a bombing, and amidst the dirt they have to shovel human bones and remains of their brethren, their comrades. This scene was heartrending, evoking emotions in the audience. 

The progression of the play, the narration by the whispers are done well. The scene where the girls read out the letter they wrote for home was a deeply touching. Their wish to see their loved ones once more after the end of the war was heartbreaking. The play ending with the brave young girls being killed represented the all those who have sacrificed their lives for their nation. The play made the audience connect with the characters, and their death left the audience feeling grief stricken. 

The themes of unity, patriotism, and courage portrayed in the play is universal and timeless. Through the bond between the girls we see the importance of being united, of belonging and fighting together. The dedication for their nation, their willingness to sacrifice their lives, all reflect the patriotism every soldier has felt for their country. Their courage in the face of the danger, clearing the roads during air raids show us how brave and resilient humans are. In today’s context, the play continues to be relevant as there are still so many wars taking innocent lives. As a situation in Palestine continues to worsen, I cannot help but think of the people  there fighting for their liberation, just as the girls in Platoon C-552 did. From the description and the directions written in the script of the play, I can tell the visualisation of the stages play is done well. The use of lighting throughout the play, especially at the last scene, after the bombs dropped and everything went dark was effective. The use of sounds - bombs being dropped, explosion, etc. also seem well incorporated within the play. I think this would be inspirational and empowering play to see acted on stage. 

Reading and analysing this play will help me with my writing in a number of ways. This play has shown us how to describe a detailed setting, how to portray rounded characters through their actions and dialogues, and incorporate these elements will enhance my writing.

Sunday, 5 November 2023

Secret art of Playwriting

12 Successful Habits 

  1. Get up
  2. Make a pot of tear or coffee
  3. Sharpen pencils / Look for the right pen
  4. Feed your pet. If you don’t have an animal, buy one
  5. Think of writing something.
  6. Forage for leftover food in the fridge
  7. Plan for  writing something.
  8. You are out of groceries, go to the market.
  9. Fix your motorcycle or your bicycle, your electric switch.
  10. Call your mother or your sister. Either of them has her birthday.
  11. Vow to start writing.
  12. Turn on the computer.

13 More Successful Habits

  1. Focus on writing your play
  2. Feel emotional for your play
  3. Clear your understanding of “Playwriting Process”
  4. Try – Try – Try again!
  5. Perseverance is the key to success
  6. Live your life as if you are in a BATTLE
  7. Rewriting is a big chance – it's like living your life for a 2nd time
  8. Make BIG Themes and paint Complex Canvas.
  9. Be emotionally convincing
  10. Don’t be bothered with Rejection. Do it again.
  11. Do NOT bother so much about PLOT.
  12. Get, up make a cup of tea.
  13. Look for your favourite pencil or turn on the computer and start writing …

Saturday, 4 November 2023

What is a Field Research?


Here is a working definition of field research. Detailed instruction for how to conduct Field Research with relation to ENG-550 Playwriting Course can be found through this link: Field Visit for ENG-550 Playwriting

Your Field Visit project also includes a 6-10 min PPT presentation for Mid-term exam.




Your Writer's Profile


Our site is collecting profiles of ENG-550 Playwriting program attendees. You are requested to submit a short biographical profile that describes your current academic positions, your interests and goals, and your writing plans for future. With slightly bouncy tones, make your profile as attractive as possible because this is supposed to be on your Linkedin or Fiverr profile which should ideally induce prospective clients to reach out for your writing expertise. You will later be able to use link to this profile in your CV or in your online footprint. Do not forget to send a photograph. Choose a photo that you believe will go with your writerly profile! All the best with your journey to the world of WRITING!

Friday, 3 November 2023

Write Play-act Reflect

Today we had a great 3 hour session with the full team present. The session was divided into three parts. 

  1. We wrote a 5 min play and performed it in front of the audience.
  2. Discussed our individual storyline, commented on other plays performed by peers. This was followed by an intense 40 minute self-reflective session on how the participants evaluate their own works and others'. 
  3. We had a very important session on how to develop your dialogue. Playwrights call this task the Quantum Mechanics of Playwriting. We had a question-answer session on how to sharpen your dialogue based on the emotional response it will create on the other characters. 
  4. We witnessed a two-way dialogue development by two improvisation scenes. In the first exchange, two participants were asked to engage in an angry and hostile verbal exchange. They were at first a shy. But afterwards, when asked to use any slang or swearing, they really opened up and the scene became more energetic. 

Thursday, 2 November 2023

Playwriting inspired by Poetry - 6th Day

Last Friday's Writing Session activities. Click the infographic below to see a LARGE pop up.

  1. We read THREE poems by Turkish poet Nazim Hikmet
  2. These three poems were transformed into a single Bengali poem by famous poet Shuvas Mukhopaddhay. 
  3. We listened to a recitation of this famous Bengali translation by famous Playwright-Actor-Director Utpal Dutt. 
  4. Then we made a Collaborative Text of a play where every student of the class participated. 
  5. Interestingly, we worked on How Many characters we will need, Who will they be (age, gender, look), and What type of language they will use.  

Launching "Theatre Post-office"

We are happy to announce the launching of our playwriting blog "Theatre Post-office." It will showcase all our class materials, our projects, and our writings. It will be a great source to find relevant reading and exercise materials and will work as a simple online publication platform for all the new writings by our new writers. We want you all to invite your friends and acquaintances to visit this page and leave their comments.